- Dec 26 Fri 2014 20:20
- Dec 26 Fri 2014 09:50
- Dec 25 Thu 2014 19:54
上圖: 婚紗範本~ 推薦給大家，我就愛那把傘優雅的點綴
在眾多唯美的婚紗照當中最讓我驚豔的就是:SHE- Ella 的婚紗照，復古優雅的造型和婚紗flawless 完全命中!
紀文惠 Justine Chi 2011年3月25日將發行「紀文惠個人同名專輯」
- Dec 24 Wed 2014 07:05
快速篩檢胚胎技術 (一條龍試管嬰兒) 過去: 試管嬰兒要經由冷凍胚胎程序
Q: 長期吃避孕藥造成不孕? Q: 有哪些避孕的方式?
- Dec 21 Sun 2014 13:53
- Dec 21 Sun 2014 10:56
The Interplay Between Abjection and Juissance: The Overlapping of Abjection and Desire in Angels in America
At the core, I anchor on Kristeva and Lacan’s psychoanalytic theory to delve into the manifestation of narcissistic crisis and identity transformation of Joe Pitt in Angels in America with an attempt to scrutinize the boundary-overlapping between desire and abjection and interplay between Jouissance and abjection, which decidedly associate with the territory of sexual intercourse. I am tempted to explore how Joe converts himself from a victim of abject into a “fascinated victim” (Kristeva 9). At bottom, Kristeva’s psychoanalytic theory models on Freud's psychosexual developmental theory, which is chiefly grounded in his ideas of sexual drive. Angels in America touches on the issues of discriminated sexual orientation, namely, homosexuality. Evidently, Joe Pitt’s identity negotiation and metamorphosis process offer compelling example of a paradoxical momentum between abjection and Juissance. Essentially, I center on psychoanalyzing Joe’s identity formation in deciphering Joe's inner turmoil and ultimate emancipation. Joe Pitt proceeds through the role of a closeted Marmon homophobia adherent into a confident coming out gay.
Sexual intercourse is a historically biased and stigmatized subject, which conventionally tied up to the issues ranged from shame, transgression to moral corruption. It is a norm that sexuality represents or disturbs an individual’s identity. The contradiction lies in the fact that sexual intercourse is ironically the main source of Juissance for human beings, which is in accordance with Freud's theory. Sexual need is partly of human nature and instinctually corporeal. Sex drive is essentially reproductive. Hence, when abjection located in the boundary of sexuality, its interruption could be more drastic, intense and recurrent.Sex drive is “ the heterogeneous flow” inherent in the human body” namely, “ a possession previous to my advent, a being-there of the symbolic” (10). I suppose the overlapping of abjection and desire frequently hinges on the boundary of sexual related discourse, such as adultery, role play or SM and so on, which are generally insinuated to the biased conception of perversity.
In Joe’s case, the mainstream homophobia embodies the symbolic order and homosexual identity epitomizes the abjection, the excluded, the horrifying otherness, which has something to do with mortification and inferiority. Trying to disconnect himself from the horrified shame-ridden identity, homosexual identity, Joe fights against his sexual instinct and embraces false identity as a straight men.Hence, he executes erosion of sexual needs, which is an execution of "repression" and defense mechanism proposed by Freud. When it comes to need, need is “the precondition of the individual’s survival and well-being “which demands “real, tangible objects for its satisfaction (60). Joes bears deprivation or hunger of sexual needs before coming out. Instinct denial is an absolutely fatal sacrifice. Before Joe’s coming out, he grapples with sexual hunger and sexual dissatisfaction in life. According to Freud’s pleasure principle, human is born to embrace pleasure by nature. Hence, instinct-denial is terribly unnatural. Also, Joe describes a picture of Jacob wrestling an angel has always stuck with Joe. He describes it to Harper:
Jacob is young and very strong. The angel is... a beautiful man, with golden hair and wings, of course. [...] It's me. In that struggle. Fierce, and unfair. [...] Losing means your soul thrown down in the dust, your heart torn out from God's. But you can't not lose. (2.2.11)
The picture embodies and reveals his primal repression.
- Dec 19 Fri 2014 15:06
- Dec 18 Thu 2014 19:56
世界首席建築大師安藤忠雄( あんどう ただお) 沒有受過正統訓練，卻自學成為日本知名的傳奇建築大師。從小跟著阿嬤長大，喜歡DIY動手做東西，小時候會到附近的鐵工廠、木工廠看師傅工作。高二那年不經意闖入拳擊圈，練拳不到一個月就拿到拳擊手執照，也曾代表所屬拳擊館去泰國比賽，但據傳他在一次觀摩世界拳王練習之後毅然決定放棄拳擊夢。他帶著拳擊比賽得到的獎金六十萬日幣到世界各地旅行，深受知名建築家柯比意作品感動。這種旅行也是他為自己搭造的一場建築之旅，透過旅行摸索讓自己熱情的事物，也讓他對未來的方向更加踏實。
- Dec 18 Thu 2014 16:42
- Dec 18 Thu 2014 13:20
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- Dec 07 Sun 2014 15:43
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- Dec 06 Sat 2014 09:01
It is promoted and encouraged by Church and civil authority in the late medieval era with an attempt to render teachings and knowledge about social, moral value in a didactic approach. With dramatic allegories, it centers on illustrating personalized virtues, vice or temptation struggles. “ Everyman” and “ Dr. Faustus” are classic example of this genre.
It is a strict puritan sect of the 16th and 16the centuries that the separatists would rather separate form the Church of England than reform and many of them first settled America.
Gothic romance ★★★
In dealing with prevailing atmosphere of supernatural mystery, terror and suspense, gothic romance usually sets against dark backgrounds of medieval ruins and haunted, gloomy old castles and fills with grotesque atmosphere. “Gothic” is a term applied to medieval architecture and gothic romance contributes to the new emotional climate of Romanticism. Mary Shelley's Frankenstein (1818) is a well‐known example.
- Dec 03 Wed 2014 11:39
- Dec 02 Tue 2014 14:15